Queensland Theatre’s Artistic Director Sam Strong will direct an adaptation byTim McGarry in a co-production betweenQueensland Theatre andBrisbane Festival. The stage version ofBoy Swallows Universe will have its world premiere as part of Brisbane Festival in September 2020, in the 50th year of Queensland Theatre,Sam Strong’s final season as Artistic Director andLouise Bezzina’s first season as Artistic Director of Brisbane Festival.
The announcement comes on the back of a record-breaking four-prize win for Dalton at the Australian Book Industry Awards, with the novel officially becoming Australia’s number 1 book overall, and number 1 fiction book, as measured by Nielsen BookScan last week. On Wednesday Dalton was included in the 2019 longlist for the Miles Franklin Award, Australia’s most prestigious writing accolade.
“We’re thrilled to announce that in 2020, Queensland Theatre in partnership with Brisbane Festival will produce a theatrical version of Trent Dalton’s extraordinary novel,Boy Swallows Universe. The novel is the hottest property in Australian storytelling, deserving every ounce of the praise that has been lavished on it and all of the incredible success it has achieved,” said Strong.
“Moreover, Trent’s book is absolutely ripe for adapting to the stage: featuring larger-than-life characters, an effortless combination of magic realism and crime-thriller, unforgettable set pieces written with a cinematic visual flair, and dialogue that just leaps off the page.
“Boy Swallows Universe has captivated hundreds of thousands of Australians with its arresting portrait of growing up in 80s Brisbane. It has captured the hearts of us all through its story of love’s triumph over the darkest of circumstances. I am more excited about the theatrical version of Boy Swallows Universe than any of the 30 odd shows I have directed for the Australian mainstage. I cannot wait to direct this landmark Brisbane story on a Queensland Theatre stage.”
Trent Dalton said the announcement of Boy Swallows Universe coming to the Queensland Theatre stage was absolutely perfect.
“Everything about this production is perfect. It had to be staged here. This glorious, complex, sweltering city is in my blood and my blood is in that book. It was the people of Brisbane who took that wild, strange book and ran with it first and that book belongs to them now and this production will belong to them, too.”
He said never in a million years did he believe the story would go from the page, to the stage.
“My goal was a simple one: to see that story put into a hard copy book so I could hand just one copy to my mum, who still lives in the outer northern suburbs of Brisbane, and I could say, “This is why I love you so much”. Now I can take that early-60s warrior woman grandma to a play in the city and she can see some incredible performers under lights telling some of her story and I can lean over to her in the theatre and whisper, “This is why I love you so much.”
He said he saw the theatre as a magical, dark, wondrous place. “I love theatre so much and I love Queensland Theatre,” he said.
“Sam Strong is a theatre genius and I’ve told him he has my blessing to go as big and as ambitious and as creative as his big brain can take him. I’ll be Matty Bowen to his Johnathan Thurston, supporting him all the way. But, like any good Queensland fullback, I’ll know exactly when to step out of the way,” he said.
He said he can imagine the opening night feeling already.
“Brisbane will be in full sunshine glory, purple jacarandas will be blowing in spring breezes, the Broncos will be in the finals and I’ll be somewhere in that beautiful theatre with a packet of barbecue Samboys saying, ‘How the hell did I ever get so lucky?’.
“Just to see these so often overlooked Brisbane places that are so dear and connected to me – Bracken Ridge, Darra, old Boggo Road Gaol – put up there on stage is deeply moving to me. There are countless people that I love, heart and soul, out there in those suburbs who might be able to come to that play and say, ‘Yeah, that’s my world, that’s my Brisbane’, and I’ll be right there beside them screaming, ‘Hell yes, ain’t it glorious’.
Sam Strong said adaptor Tim McGarry was the first playwright out of the blocks for the book based on his passion and affinity for the story.
“Tim McGarry brings his impressive experience with creating new Australian stories and especially adaptations of novels to the task of adapting Trent’s book. Tim has already written an incredible adaptation of Trent’s extraordinary novel and I can’t wait to work with them both to bring Boy Swallows Universe to life in the theatre.”
McGarry said he read the book in less than 24 hours while on holidays in far North Queensland.
“I could barely put it down. There were times I could barely breathe. I was completely captivated by Eli Bell, his journey, his charisma, his desperation to try and better understand the dark world he inhabited. I was captivated by the magic and wisdom of August. I found the characters so richly rendered. The complex world Trent created just leapt off the page. Collaborating with Sam Strong and his team on this particular work is mind-blowingly exciting for me.”
Strong said Queensland Theatre was thrilled to be partnering with Brisbane Festival. “Artistic DirectorLouise Bezzina has a passion for Brisbane stories and working with Brisbane companies, so it makes perfect sense that our two organisations come together to co-produce the most exciting Brisbane story in decades.”
Louise Bezzina said Dalton’s Boy Swallows Universe was the quintessential Brisbane story.
“I am thrilled that as part of my first Festival as Artistic Director we will co-present the stage adaptation of this enormously celebrated and popular book in partnership with Queensland Theatre. Brisbane Festival is deeply committed to telling the stories of our great City and this new production will be a wonderful centrepiece of the 2020 program,” she said.
Published in July 2018, Boy Swallows Universe has now sold over 160,000 copies in Australia across all formats and has been awarded several of Australia’s top literary awards, including Book of the Year at both the Australian Book Industry Awards and the Indie Book Awards, the NSW Premier’s Literary Award for New Writer and People’s Choice Award, and the MUD Literary Prize. Rights toBoy Swallows Universehave been sold to 34 English language and translation territories.