This marks the largest intake of new dramatic
works in the Award’s 17-year history, with entries received from every
state and territory in Australia.
The three finalists are now in the running for the award, where the
winner receives a professional production of their entry in Queensland
Theatre’s 2021 Season.
Anna Loren is an actor and theatre-maker. She is one of eight
emerging playwrights, chosen to participate in Playlab’s 2019, Incubator
Program and, was recently supported by the Regional Arts Development
Fund, to attend a residency in Finland, under the mentorship of theatre
professional, Dr. Margi Brown Ash. Anna studied at The Actors Workshop
(Brisbane), and later at the Rose Bruford College of Theatre and
Performance (London), supported by an international bursary. Also a
drama facilitator, Anna has taught for The Actors Workshop and NIDA Open
(Brisbane), as well as The Rose Bruford Youth Theatre, NCS The
Challenge and the Drama Club (London).
Her entry, Comfort:
Comfort: a state of physical ease and freedom from pain or constraint. Sitting between British-Indian colonial rule and Japanese occupation, Burma is a country torn apart by war. It has been cut open,
segmented, dissected and blown apart. Battling armies open lasting wounds across the land, leaving scars not only on the earth, but also on the bodies of the women they seek to colonize. COMFORT is a
semi-autobiographical work that responding to the whispers that my own
grandmother may have been a ‘Comfort Woman’ in 1940s Japan-Occupied
Burma. In blaring juxtaposition, my memories of her exist in a 1980s
Australian childhood. Afternoons spent in a suburban Perth backyard,
playing around the hills hoist; holidays sweating in a musty,
sand-filled caravan; Expo ’88. But just below the surface, one ever-present unspoken rule journeyed with us; we don’t talk about the past. Moving between past and present, personal and political,
GRANDDAUGHTER wades through official military records, rumour and
euphemism as she gently unpicks the threads in search of her
Maddie Nixon is a Brisbane based writer, director and youth arts practitioner. Her artistic practice focuses on the development of new contemporary work, Australian comedy and theatre for young people.
Maddie is the Youth and Participation Producer at La Boite Theatre
Company. Credits include, as Playwright: The Parable People (Alpha
Processing – Playlab), Cooladdi (HWY Festival – La Boite Theatre
Company, 18-26 Year Old Playwright Program – Queensland Theatre and
Fresh Ink – ATYP), Food Fight (Fresh Ink – ATYP).
Her entry, Binnavale:
The Big Pineapple, The Big Banana, The Big Merino. Australian tourists love big things. But what about the small things? Binnavale is the smallest town in Australia. For now.
Once a bustling hub in the orange desert of central Queensland,
Binnavale is entirely isolated and solely occupied by one family, the
Mullers. Mum, Dad, Levi and Sam, run the town’s crown jewel and only remaining business, The Bin Hotel. Business at The Bin isn’t exactly booming, but it’s going well enough, and the Mullers honestly believe that that they are the gate holders of the greatest place on Earth. That
is until the young hotshot Federal MP Mr Brett Pryce, proposes the
Postcode Hybridisation Scheme, a bill which if passed will conjoin a
series of small population postcodes in remote and regional Australia.
If the Mullers lose their postcode, they lose their smallest town
status, and they lose their business.
If the family don’t have tourists passing through, The Bin Hotel will be shut down, and they will have to abandon the only place they’ve ever called home. Binnavale is a comedy about family, grief and growing up.
Steve Pirie is a writer, theatre-maker and youth arts worker
currently based in Brisbane. A graduate of the University of Southern
Queensland, he is also the co-Artistic Director of Mixtape Theatre
Collective, a regional independent theatre company based in Toowoomba,
Queensland. His first play, Escape from the Breakup Forest, has since
been published by Playlab following statewide seasons, and in 2014,
Steve’s work 3 O’Clock, Flagpole was selected for development as part of
the Lab Rats initiative. In 2017, he was an independent artist with
Queensland Theatre where he developed his work, Return to the Dirt as
part of his residency, which was presented at La Boite’s HWY Festival in
His entry, Return to the Dirt:
In 2014, Steve Pirie returned to his hometown in regional
Queensland with no job, money or goals. After a series of dead ends, he
finally found work in a local funeral home, where he spent the next
year living and working among the dead, the dying and the families left
behind. Join Steve, your tour guide, as he takes you through the realms
of the dead and behind the closed doors of the Australian funeral
industry in this powerful meditation on what it means to die in the 21st
century, to lose the ones we love, what a twenty-something learned
about what awaits us at the end, and what a final act of love can do for
Return to the Dirt is a celebration of finding your place in the world, the power of personal redemption and humility at the end of all things. Most importantly, it is a stepping stone to one of the most
important conversations you need to have.