Australian Major Performing Arts Group
State Theatre Company of South Australia’s production of Little Bird has been nominated for two 2014 Ruby Awards—Best Work and Innovation.
Eamon Flack, Belvoir’s Associate Director—New Projects, has been appointed to replace Ralph Myers as Artistic Director from January 2016. He will be the company’s third Artistic Director and lead it into its fourth decade.
The Australian Dance Awards were announced last night at the Sydney Opera House—and Cinderella by The Australian Ballet was awarded Outstanding Performance by a Company.
The Australian Chamber Orchestra and The Australian Ballet have both had whirlwind tours in October—in Europe and the US, respectively.
The report of the Australian Curriculum review has been released this week. While the report stresses the importance of arts education and the need to support professional development of teachers, it has suggested that only two arts subjects—likely visual arts and music—need be mandatory.
This week the Sydney Theatre Company is holding its inaugural Work Experience Week, with 20 Year 10 and 11 students from across NSW attending.
Recent research by the British Council has found that Australia ranks equal second (with the UK, and behind the US) out of 15 global economies for overall ‘attractiveness’.
Queensland Ballet’s Australian première of Sir Kenneth MacMillan’s iconic Romeo & Juliet is now the company’s highest-selling ballet, breaking a 54-year box office record.
Musica Viva In Schools' interactive whiteboard and digital learning resources were included in The Guardian's list of ten global R&D projects that are changing arts and culture.
2013 was a very good year for audience opportunities and engagement. You can find out where companies went and how they engaged across the last four years through our MPA interactive performing arts map.
Belvoir has had a busy June with more dates coming up in the next few months around the globe with Thyestes, The Wild Duck, Conversation Piece and Stories I Want to Tell You in Person.
How does a performing arts company preserve its live performances for the enjoyment and education of future generations?